![]() Left Curve PO Box 472, Oakland, CA 94604-0472 USA ISSN 0160-1857 $10 Subscription: 3 issues $30 [$45 institutions] email Left Curve visit Left Curve's Website read reviews of earlier issues ![]() Before commenting on this review please read the FAQ page Home page Notes for publishers Want to be a reviewer? Anthologies. Books. Audio. Magazines. Software. Video. Artefacts. Web design by Gerald England This page last updated: 3rd September 2004. |
Left Curve #26 | |
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This post-September 11th issue starts with an article by Adrian Gargett. He is not afraid to point out the impossibility of task facing the U.S. Athorities. Their quest for revenge under the guise of War on Terrorism" overlooks the fact they they do not understand the minds of those they label as terrorists. John Hillson's long poem puts the events into an historical persective. It is a stream-of-conciousness tirade that references Nagasaki, Waco, Pearl Harbour and much else. There is a couple of articles on the not-unconnected subject of globalisation. Paul Polansky contributes a series of poem and photos from his time spent in Kosovo helping Roma refugees. This is from THE BLACKBIRDS OF KOSOVO Their heads and bodies are a motley gray as if they had a skin disease from not having had a proper diet. Of course, the blackbirds od Kosovo are used to eating only meat: Serb scrotums, Albanian asses, Turkish thighs, Gorani gonads. ... ... you'll usually see blood-flecked foam dripping from their beaks.Another poem about a Serb tramp who has declared himself the president of Kosovo ends MY LATEST URINE SAMPLE PROVED POSITIVE FOR RECYCLED NUCLEAR WASTE THANK YOU, AMERICA, FOR MAKING MY BALLS GLOW IN THE DARKFollowing on is a selection of CONTEMPORARY POETRY FROM CROATIA featuring six excellent writers. On a lighter note is Timothy Brown's article on CONTEMPORARY ROMANTICISM. There is a lot more in the magazine, but it was the contributions from former Yugoslavia that held my interest the most. | ||
| reviewer: Martin Grampound. | ||
| Left Curve #28 | ||
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The issue starts with Ted Dace's W IS FOR WAR which includes: Imagine the president, every January, had to give a mental state of the union address. An accurate assessment would indicate hysteria, paranoia, narcissim, mass dependence, a schizoid lack of feeling, a psychopathic lack of empathy, and a total inability to reflect on any of these conditions, every one of which is chronic and inflexible to the point of pathology. With our predilection for lethal violence, we're a danger to ourselves as well as others. In short, America is cracked wide open for all to see. A lot of people around the world do see it, and they're scared of what this country will do next. Europeans are especially sensitive to what's going on, as they know the sickness all too well in their own not-so-distant past.and ends on a note of hope, The chief threat to collective insanity is the capacity of individuals to start thinking for themselves. We see it happening in Iraq as soldiers realize they are occupiers in a country that doesn't want them. Yet many soldiers remain convinced of the righteousness of their mission. They see the projected image of the beast, a.k.a. the 'terrorist' around every corner. But for Iraqis, it's not about images. They really are under assault, as if a lion really were prowling in their midst. While we project an image of evil onto Iraq, Iraqis don't have to project anything. Ultimately, it's a battle of image versus reality. We'll see how long the magician can keep us under his spell.and sets the tone for this 144 page issue of LEFT CURVE: criticial, well-researched articles broadly looking at politics. Other articles look at the pro-Israeli lobby in Washington, US troops in the Philippines (1899-1902) and asks if lessons can be learnt, a discussion of war in Hollywood movies post 9/11 taking in "Forrest Gump", "Saving Private Ryan", "Behind Enemy Lines", "Apocalypse Now Redux" and "Black Hawk Down". Mat Callahan's look at the music industry, where the few who are not necessarily musicians are heavily promoted at the expense of the rest and the consumers, could easily be analogous to the current state of publishing. There's an in-depth look at Matt Gonzalez's campaign for San Francisco's Mayor, including an interview where Green Party candidate Matt Gonzalez comments, My race of Mayor here in San Francisco, and how close we got to winning, really conveyed the potential of what is possible in the future, and all of this happening at a time when George Bush is President. There's a desire to get him out of office.Statistics show that Matt Gonzalez, refusing corporate contributions and using volunteers, spent about $4 for each vote. His rival Gavin Newsom, with corporate contributions and a paid staff of professional campaign organisers and a year's head-start, spend $31 for each vote. Gonzalez received 47% of votes, Newsom 53%. Adrienne Carey Hurley's article uses comparisons, ...[Austin] Sherman surrendered himself to begin his term in a federal prison for website material that was authored by the other boy and linked to a free-hosting area Sherman provided from the server he ran for his own site... The other boy's website included a direct link to the 'Reclaim Guide', a manual featuring crude instructions on how to build explosives. While this boy, who is the white son of wealthy Republican parents in Orange County, has not been charged with any crime, Sherman, who had no part in writing or posting any of the offending material, was imprisoned for violating 18 USC 842 (p)(2)(A)... which makes it illegal to 'distribute' information related to explosives with the 'intent' to use that information in a 'federal crime of violence'. FBI agents interviewed the other youth and are aware he is responsible for the bomb-making information that was linked to Sherman's site... The first Rage Against the Machine t-shirt that was ever put out had a cartoon with instructions in Spanish on how to make a molotov cocktail. Looking back it was somewhat of a silly provocation, but the interesting think about it was that it was authored by the CIA. These cartoons were used in the training of (The Contras)... Austin Sherman and Zack de la Rocha (formerly of Rage Against the Machine) have expressed similar criticisms of the US foreign and domestic policies... The requirement of 'intent' in Feinstein's Law [18 USC 842 (p)(2)(A)] allows room for an incredible range of prosecutorial freedom to choose which relationships to 'dangerous' material can be interpreted as illegal. No one applied the law to de la Rocha, and no one applied it to those who... actually express an intent to carry out crimes of violence when distributing their information on explosives...Sherman will serve his sentence until September 2004. Zack de la Zocha is amongst those who have petitioned for Sherman’s release. The poetry and fiction also have politicial themes, eg the late Jon Hillson's ADDENDUM IN AD DWAR notes, ... Meanwhile so much for that martyrdom jazz. He did not even fight , the indignant African taxi driver tells me as we drive to Harlem before dawn, he did not even lift a finger. The moment as precious as it is inevitable: the last illusion that he was a foe of the empire bites the desert dust in Ad Dwar, ripples outward to a momentarily transfixed world...Ronald Jones observes in WHY THERE ARE NO ISRAELI SUICIDE BOMBERS: What need is there to pile up stones or tote a slingshot or strap explosives against the heartbeat of an indigenous life when one can just wriggle a 'Made in USA' machine-gun to hit a target, or jump into a stars and stripes jet bomber with operatic élan? How to measure the damage of a pebble from a ten-year-old's righteous fist or the smiling death blow of someone who defies the first law of life: self-preservation in honor of a great ideal? How to measure this against the fierce, cowardly big war machine?...Eliot Katz's TO THE NORTHERN WINDS JULY 4th ends ...Last night ravens flew figure 8s near the cabin, playing in yr gusts. O Winds, we have learned to cross large continents to embrace our love. Can you shake us out of our future-destroying weaponry for a new start? Tell the children: another new century can begin wherever we choose.To finish there are tributes to the late British poet Ken Smith. Weighty, but welcome. | ||
| reviewer: Emma Lee. |