![]() The Journal Flat 3 18 Oxford Grove Ilfracombe Devon EX34 9HQ UK ISSN 1466-5220 £2.50 Subscription: 3 issues £7 cheques payable to "Sam Smith" email The Journal visit The Journal's website read reviews of earlier issues ![]() Before commenting on this review please read the FAQ page Home page Notes for publishers Want to be a reviewer? Anthologies. Books. Audio. Magazines. Software. Video. Artefacts. Web design by Gerald England This page last updated: 4th December 2004. |
The Journal #12 | |
|
The Journal (formerly the Journal of Contemporary Anglo-Scandanavian Poetry) is a plain looking A4 booklet with nicely spaced poems from across the world, including in this issue UK, USA, New Zealand, Nigeria, Russia, Afghanistan and the Netherlands (in Dutch and English). Thisissue also contains reviews and an interview with Jeremy Hilton. In my mind there is a typical Journal poem, one that is slightly odd in syntax and form and perhaps also in content. This is in no way a criticism, it is what attracts me to The Journal and when this type of poetry works it produces wonderfully memorable imagery, such as the following from RATION by Rupert M Loydell: ... Shrouded trees line the route to an empty playing field where skeletons of stories are waiting.which is really quite creepy. However, whatever may be the typical Journal poem, there is a great variety of form and content the latter including in this issue: healthcare, suicide, Dick Cheney and various aspects of nature. Although some of the poems aren't quite as successful as others, this issue is packed with quality poems. I particularly liked Dennis Leckey's NO NOT A VILANELLE .. NO 4, which is a delicious meditation on a bowl of fruit, which makes me want to rush out and buy some pineapples! Susan Richardson's FREYDIS THE UNAFRAID a poem in four parts (though I felt it was four poems on the same theme) very effectively details four different aspects of the character in question. In the final part/poem SLAUGHTER, there is the wonderful image of memory as a sea mammal, diving deep but then teasing with: one flash of the underside of its tail.For everyone who has ever kept a cat, Gill McEvoy's SCIENTIST must strike a chord a disturbing and precise portrait of a cat experimenting on a rodent: I am without mercy. I shall record all this, File it away: data Is most valuable.In Liesl Jobson's moving ON THE DEATH OF A YOUNG CHORISTER, the narrator has bought a parrot after returning from a funeral, but feels that she needs to return it to the shop as: No feather will ever fall as heavily as yellow rose petals into the grave.though for me I felt the poem as a whole was let down by a jarring last stanza. There are several other excellent poems here, and overall this issue for me struck the balance of being interesting and experimental while avoiding the obscure and unnecessarily difficult. Add to the excellent selection of poetry, some interesting and insightful reviews and The Journal is a must for anyone who loves poetry and is not afraid of a bit of experimentation and the new insights that this can bring. | ||
| reviewer: Juliet Wilson. |