![]() The Brobdingnagian Times 96 Albert Road Cork Ireland ISSN 1393-3302 read reviews of earlier issues The editor died 19th October 2003. There will be no future issues. read Tributes ![]() Before commenting on this review please read the FAQ page Home page Notes for publishers Want to be a reviewer? Anthologies. Books. Audio. Magazines. Software. Video. Artefacts. Web design by Gerald England This page last updated: 27th July 2004. |
The Brobdingnagian Times #24 | ||
|
From first perusal of Dee Rimbaud's brilliant cover art the reader is prepared for delightful paradoxes. This A3 broadsheet, folded to A5, presents a rich mixture of genres, styles, and formats. Among the haiku/senryu I would highlight are: Kathleen Whalen's MANIA BECOMES HER Best dressed at the races An ostrich feather Turns into bread and wineHelen Buckingham's child sits transfixed... waiting for the kettledrum to boiland from Edin Saracevic's CANDY IN THE RAIN lapping of waves between me and the sky two seagullsOf the longer poems, the most precisely realized R. Kees' DANCING GIRLS ... I looked behind your bones went out into the desert with them scrubbed them in its sand... and I caught your soul, used it to solder tiny dancing girls onto a pewter thimble box...seems less fully rounded than two others, Steve Urbanski's LA PAYSAGISTE/MINDSCAPE and Sally Evans' MORNING CALL, which might be criticized for some of their redundant language or hazy focus, but engage the senses with a deeper magic. MORNING CALL also harbours a nice "found" haiku: ...in the quiet of the hill of sunlit damp, wet-painted trees.This broadsheet includes three short prose pieces apart from the intriguing editorial on Erasmus Darwin, and each has its merits my favourite being THE CURB by Christopher Cunningham: a grim cameo with not a word out of place. reviewer: Anne Stephens. | |
| The Brobdingnagian Times #25 |
|
THE BROBDINGNAGIAN TIMES consists of a single sheet of A3 folded twice to make a neat A5 magazine. There's a good mix of prose and poetry, with cover art from Tommy Curran and on the "back" cover an editorial exploring the etymology of the words "poet" and "poetry". When reviewing a small zine such as this it's difficult to pick examples, but I liked the little "haiku" attributed to Thomas Edison: Inventors must be poets so that they may have imagination.But the real stand out item in this issue was for me LOS ALAMOS by Brian Burch: sound falling heavily. glass shattering. splinters of icons await meltingPoetry magazines have a tendency to spiral out of control keeping them to a fixed, small format such as this is a good method of avoiding that. reviewer: John Francis Haines. | |
| The Brobdingnagian Times #26 |
|
There is an image on the front, and the back contains an article called THE GAY SCIENCE! The editor laments that Aside from such intentional lack of objectivity, there is another slight problem from the scientist's point of view. Good poetry tends to have a certain quality of infinite suggestion, or too much ambiguity.As a molecular biologist, I am living proof that some scientists do love poetry. Dr Mario Petrucci is a physicist whose book SHRAPNEL AND SHEETS is a Poetry Book Society recommendation! I agree that science is not a common topic in poems and it would be nice to see a little more of it. This broadsheet has a modern feel with a mixed bag of poems. The standard is rather good. TERRA INCOGNITO by Howard Wright (N Ireland) caught my eye: Cube of thunder, hallucinogenic, its thriving corners, living lasers and wild ribcage bass, the heart in your chest punching its weight, keeping time but amplifiedThis poem has strong movement and interesting sound combinations. For your one dollar, you will have a good read. reviewer: Doreen King. | |
| The Brobdingnagian Times #27 |
|
Together with Supplement #6 this final issue is a farewll to its editor. There are regular contributions as well as tribute poems. One of the strongest is BROBDINGNAG OUT OF TIME by Gerry Brett: "Brobdingnag" where dwelled those giants in literature ... Had this name a claim To be our fledgling mast head But Gio had the vision Grabbed it with both hands ... This broad sheet grew and flourished In the global consciousness ... No soft edged critic He built a truly brobdingnagian reputation For quality distilled from the four corners Of this diversity filled world ...The supplement has poems by Gio plus artwork by Harland Ristau and Sarah Malito. One of my favourites is THE SOFT RAMPAGE (i.m. Miroslav Holub). He tells how the poet taught his daughter the Czech word for spoon: ... she may grow up to ask questions like why does she know this word in Czech. And I will tell her, it is because the words of a great poet will endure always.There are other poems about his children, his grandfather, rants on postmodernism, a lament for Cork and short haikuesque poems such as: Sarah drawing me and mommy bigger than the houseMore tributes to Gio can by found on Zimmerzine reviewer: Gerald England. | |