![]() Bongos of the Lord Bookgirl Press 3-13-16 Tsurugaya-higashi Miyagino-ku Sendai 983-0826 Japan ¥300 [US$3 or 3IRCs to cover postage] email Bookgirl Press ![]() Before commenting on this review please read the FAQ page Home page Notes for publishers Want to be a reviewer? Anthologies. Books. Audio. Magazines. Software. Video. Artefacts. Web design by Gerald England This page last updated: 13th June 2005. |
Bongos of the Lord #14 | |
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This is a 57-page book containing poetry and prose from a variety of writers. Published by Bookgirl Press, BONGOS OF THE LORD works as a non-profit publication, recieving no funding whatsoever. The book includes a varied selection of poems. One of my favourite examples is REALLY by Cid Corman. REALLY you have to die before you ever understandThe effective simplicity captured in this poem, seems to be a feature of all the poems published in this issue. Many appear to be written in a haiku-like style, which makes them easy and satisfying to read. They are short, sharp and a perfect choice for anyone who likes to read but struggles to find the time to do so. The book also contains prose by Scott Watson. The piece which impressed me the most was SCHOOL DAZE. This is a reflective piece of writing from his collection called NO MEMBRAINS, NO MEMWARS. It speaks of the protagonists reasons for becoming a teacher and reflects on the education system. The piece is serious and humorous in turns, mentioning points which i think most will be able to relate to. Bongos of the Lord is a brilliant book with a great selection of writing. | ||
| reviewer: Hayley Riches. | ||
| Bongos of the Lord #15 | ||
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Rather a bare magazine, with a small number of poems by various writers (including Giovanni Malito) and a long prose piece by Scott Watson in a fairly typical hard-bitten and meandering style. As an example, here is an effective prose poem by Gael Turnbull: HE EXPLAINED "With age, there's a lot of wear and tear on the self-winding mechanism and that's why it needs to be agitated more often to keep it going" and as I walk home from the jewellers, I give myself a shake and look at my old watch and wonder how much more effort it will take to keep us going and for how long. | ||
| reviewer: Alan Hardy. | ||
| Bongos of the Lord #16 | ||
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Inside these 42 pages (panoramic oblong) are basically two concrete poems by Gael Turnbull; poetry by Scott Watson (editor) Ken Sutton and Noel King; some English versions of Japanese poetry by Scott Watson; and prose by Scott Watson. The last item is 26pp, occupying over half the issue. The general impression is badly balanced content, but this must be weighed against the liberation of expression which is virtually free to obtain and items must be considered individually in this case. Gael must now be an old stager but as a literary bongocero his biconcentric WHEREVER seems well fitted for bongo imagery. Ken Sutton's when I'm a flag I can fly but not fargoes off at half-mast but deserving praise is we are separated from everything we desire by the thickness of a thoughtNoel King is represented by TURF, appearing in five arbitrary sections to make a medium-length poem, which is an account of family efforts, cutting turf sods for loading in a van. In the course of this the narrator (presumably Noel) spells out on ten sods, one letter per sod: T.H.E. B.E.A.T.L.E.S., which get broken up or separated and undiscoverable at loading time. Told with reasonable prowess and verve, but I cannot think of many poems more unremarkable in subject matter. Of Scott Watson's shorties (16 poems), many fell flat for me, without bite, but the 11th re-echoes some of his prose in feeling a presence in nature which no amount of man-made conurbation can supply. One might say that mankind's environmental energy is self-defeating: went down an asphalt street to a park of dirt and gravel where were rusted swings broken bottles paper pieces where the curb's concrete I sat on was crumbling where a few trees were, with sun, with wind, some- oneLater, Scott's English version of Yamao Sansei's SPRING reinforces the sense of impact or being of nature: rape blossom filling a field is, to me, god. a magnolia divinity me under a tree its flowering white. here, in mugworts' domain, young and growing thick, mugworts is the voice almighty or all of a sudden it's creeping wood sorrel I'm a follower of. peach blossom deity, Manchurian strawberry flowering all that comes quietly to fullness I am one of the faithful.In these times of lack of attention to nature poetry it is worth reminding poets of the essence of nature a kind of transcendent spirit which can be perceived by artist sensitives and others ought to be thematically returned to, in modern idiom. Lastly are Scott's prose pieces which are biographically slanted A TEA BOWL OF TEACHING concerns teaching English in Japan and is the major piece. Long drawn out and rambling, it is nevertheless a first-hand account within which various philosophical or practical comments can be absorbed with benefit. It would be interesting to have a parallel article from a typical Japanese student about Western teachers to offset any one-sided comment. Perhaps it would throw light on the manifold difficulties which surface on Scott's agenda, trying humanisation within a rather rigid system. While Scott gets somewhat emotional and bolshy in his descriptions, it is evident that very little seems to work for him. There appears to be a built-in temperament, family or politically conditioned and the mechanism, added to the language problem, produces defeatism for the teacher. Some better contact seems to be made when the teacher enters into Japanese chit-chat. But the difficulties of free cultural thought versus almost the rules of thought and behaviour can be appreciated, recognizing that one can go overboard in the hedonism, capitalist-encouraged sex events, and popular culture of the West. Something in between perhaps. Not those thoughts with reverence for a tea jar because it bears 76 coats of lacquer and not those producing the free-wheeling oddities in Tate Modern. | ||
| reviewer: Eric Ratcliffe. | ||
| Bongos of the Lord #18 | ||
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A curious little publication from Japan containing a long prose piece from Scott Watson and poetry from 7 writers, including again Scott Watson. There are also 6 black & white art works by Ed Baker, which I have to admit I found peculiar rather than anything else. The prose piece is a 14 page essay on BEING AMERICAN. It includes a lot of important food for thought on American identity both in national and individual terms. The piece is very personal and autobiographical, but also provokes thought on a range of issues from junk food to shopping malls, personal security to environmental destruction. Ideal material for starting a discussion!The poetry is mostly minimalist, which I find appealing. Joseph Massey's 8 POEMS include this beautiful mini-haiku: Sparrow's song tangled in church bellsJohn Veira's SUBLUNAR CANTO is a poem that deserves to be re-read and savoured, even when it isn't entirely clear in meaning it is still beautiful. It finishes with the lovely: suck the nectar of a flower waiting for snowmen.While David Giannini's DARK INFESTED MAN is an uncomfortable and powerful anti-war poem. There is a lot of variety in this small publication, though something of an over-reliance on one writer. | ||
| reviewer: Juliet Wilson. |