![]() The Plastic Tower PO Box 702 Bowie MD 20718 USA ISSN 1066-6044 $2.50 Subscriptions: 4 issues $8 ![]() Before commenting on this review please read the FAQ page Home page Notes for publishers Want to be a reviewer? Anthologies. Books. Audio. Magazines. Software. Video. Artefacts. Web design by Gerald England This page last updated: 19th June 2004. |
The Plastic Tower #35 | |
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The 40 pages in this issue contain a good variety of poems. The most effective, for this reviewer, were the personal poems, usually intense and direct, about the effect on relationships when we experience loss, or change, or other events (such as cancer) beyond our control. Lyn Lifshin has three poems on the theme of loss from HE'S INTO SAFARIS: He replays the women, the deer he let go or wounded carelessly so it couldn't leave fast enough for him to chase it but worse could not leave.In GOOD NIGHT, Giovanni Malito draws us with surgical precision and careful line shifts into a relationship at the moment where a subtle, but definite change is taking place: You shift your weight and the bed sags where you were there is someone in the next room You've grown shy but no my mistake your face in the half-light is remote.Jill Dimaggio in IT'S NOT ALWAYS FAIR explores the effect of the discovery of cancer on her friendship with a man: ...news such as this takes the whole of my heart and severs it in two one half anger the other half broken.There are also some lighter hearted poems such as Johnny Hartner's EVOLUTION OF GRAFFITI and Scott C. Holstad's I TORMENT MY NEIGHBOURS (MAY THEY ROT IN HELL) The poems are supported by black and white illustrations and there are four pages of small press reviews at the back. | ||
| reviewer: Ian Seed. |