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The Heron's Nest
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ISSN 1538-7747 $1.50 [Canada, US$1.75; RoW $2]
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Note: We understand that from 2005, the magazine will be published quarterly on the net and annually in print.
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This page last updated: 5th November 2004.
The Heron's Nest Vol.V #5

The Heron's Nest is a monthly journal of haiku presented on the web. Hard copy is available to subscribers.

A5, stapled, 16 page booklet. Nicely produced, nicely edited, nice paper. As with each issue, 53 poems are featured. The opening pages give the Heron's Nest Award poem and commentary. The rest of the pages are devoted to haiku.

All the poems in this issue are of a respectable standard. This one by Emily Romano is a favourite:

	twilit path
	a tarantula
	lifts a leg
and so is this by Kirsty Karkow:
	spring scents
	my dog and I walk
	through different worlds
I also liked this one by Timothy Hawkes very much:
	sunset . . .
	the shimmer
	of dragonfly wings
This publication is a delight to read and one to keep and dip into.

reviewer: Doreen King.
The Heron's Nest Vol.V #6

This is the companion hard copy to the website haiku magazine of the same name, and it is of a very consistent makeup. There is a large variety of poems, but all are haiku as opposed to senryu and other related short poems. This issue, like most issues, contains 53 poems from 50 writers, and starts off with the winners of The Heron's Nest Award: First prize, Carolyn Hall

	slave cemetery
	the tug of the current
	on willow fronds
Runner-up, Kuniharu Shimizu
	stone garden —
	this morning the islands
	float on snow
Runner-up, Robert Gilliland
	wood sorrel
	a bumblebee works
	the last patch of sun
There is a two-page commentary on the winning poems from Paul MacNeil, one of the editors. The rest of the issue is filled with poems, many of which have a seasonal reference, predominantly Spring. There is a good range in tone and even overall content, but no experimentation with form. Although the poems are written in free form, they are all in three lines and often with a very obvious cutting word. In this issue, several of the haiku did not work for me because they are just observations which lack any real epiphany. Having said that, however, there are plenty of haiku that do appeal to me:
	bedtime story
	my grandfather's fingers
	touching the Braille

	John W. Wisdom

		full moon —
		a shadow under the curl
		of each wave  

		Adelaide Shaw

	from childhood
	the firefly jar — 
	light hair in it

	vincent tripi

		meditation hour
		the rain
		changing rhythm

		Ion Codrescu

reviewer: Giovanni Malito.
The Heron's Nest Vol.VI #1

Each issue of the magazine features 53 haiku; one poem is selected by the editors to receive The Heron's Nest Award, and a (naturally laudatory) commentary is written on it. There are a good many effective poems here, with succinct and striking images and juxtaposition, as shown in the following two examples by J.C. Herring and H.F. Noyes:

	a stiffness in the joints
	shrunken tomatoes
	piled in the turnrow
 
		night winds
		rake the pond leaves—
		wobbly moon
That taut expressiveness that the best haiku have is also shown in work by Raffael deGruttola and Vanessa Proctor:
	without his wife—
	throwing old bread
	to the sparrows
 
		first snow
		a drift of cattle
		against the fenceline

reviewer: Alan Hardy.