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Endless Mountain Review
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This page last updated: 30th October 2003.
Endless Mountain Review Vol.11 #1

In the format of a newspaper and advertising supported, this has a mix of poems, pictures and an interesting interview with Barbara Hoffman, who is a poet and teaches at a University in Scranton, PA. Responding to a question about poetry she replied;

The dynamo is just out of control. Poetry today has no form. It's just emotion for emotions sake. All surface; heartfelt without substance.
An interesting viewpoint and one which I would like to hear her expand on at some point. Two pieces of her own poetry are printed with the interview and one, MID-OCTOBER MOUNTAIN contains these lines;
	The trail paves pallid my feet
	in gold, stubs my toe with wounded reds 
	And the blessed brocade of autumn
	raises its awe full head
This is an atmospheric poem which captures the changing seasons and in juxtaposition how fragile and rooted in the present the narrator is while even the mountains for all their signs of permanence are also fragile on another scale.

The other poems have all been well selected and are of a high standard, but I would pick out Herb Kitson's SUMMER'S GONE for particular mention. The opening stanza has these lines;

	Summers gone
	I saw it crawl away
	like a shadow
	silently
	out of the woodpile
	behind the shed,
	a daddy longlegs.

reviewer: Jim Bennett.
Endless Mountain Review Vol.11 #2

This was a first for me — reading poetry with arms wide — feeling that newspaper paper between thumb and forefinger — glancing at the adverts.

This looks and feels rather like my local rag. Most of the work is by poets unfamiliar to me; with the exception of Giovanni Malito and Gerald England (both contributing good poems). England's BENNACHIE is particularly good; longish line stanzas with a lovely sound/sight image in the last verse:

	A road leads by My Lord's Throat
	where the larynxed Don is littered
	by stone teeth that seem to be
	as old as Bennachie itself.
John E. McGuigan is represented by two poems: FRUITCAKE is a delicious evocation of Christmas past:
	I cracked the nuts,
	little round filberts, rough pecans,
	pyramids of shells rose from the table
	when I split a walnut into two perfect halves
	I celebrated and sneaked one into my mouth;
his other poem I WISH HER, again employs a simple list of things to evoke an essence — this time that of his daughter — lovely writing. The poetry generally is of a good standard despite a tendency to chop-up lines that might serve the poetry better if they were longer. This is especially true of the section devoted to the Forest City High School. These CWC poems are nevertheless crafted with care and are, in the main, unpretentious. I liked most of them: Natasha Gliha's SONG FOR A SUMMER'S DAY is a sweet reminder (for those of us who are older) of youthful passion
	... clods of black earth flying
	warm breeze caressing bare limbs
	until finally we can
	take no more
	Stand up 
	Shake the grass
	from your eyes
	and smile.
There's a good poem from Ardis Templeton — ODE TO A CANTALOPE (a cantalope beautifully observed):
	Outside it has the look and feel of an old tire
	But within fruit the shade of apricot
	To rival the blush of a child just up from sleep...
Templeton is a teacher of CW; students — note his generous lining! EMR is dedicated almost entirely to poetry; unusual in a production that carries so much advertising. There are some fine photo images by Philip Butler that impress despite the lack of sharpness — unavoidable with this type of print (mare and foal particularly appealing). Well, wouldn't it be wonderful if the general public were to be seen on bus and train reading tabloids just like THE ENDLESS MOUNTAIN REVIEW?

reviewer: Michael Bangerter.