WESTERN HAIKU, KEROUAC STYLE
Jack Kerouac in his "Explanatory Note" to "Some Western
Haikus," proposed a way to write haiku in Western languages:
The "Haiku" was invented and developed over hundreds of years in
Japan to be a complete poem in seventeen syllables and to pack in
a whole vision of life in three short lines. A "Western Haiku" need
not concern itself with the seventeen syllables since Western lan-
guages cannot adapt themselves to the fluid syllabic Japanese. I
propose the "Western Haiku" simply say a lot in three short lines in
any Western language.
Above all, a Haiku must be very simple and free of all poetic
trickery and make a little picture and yet be as airy and graceful as
a Vivaldi Pastorella.
The above quote is from
Scattered Poems, San Francisco: City Lights Books, 1971.
Like Keruoac once said, I believe the haiku form as
translated into the American idiom doesn't necessarily
strictly adhere to the syllabic conventions. The key
is to go for that three line combination punch: whap,
whup, blap! Usually, give or take a few syllables, I
come close to copping a haiku feel. Here's a few such
combos, the first is old, the others brand new. I've
added titles for an extra western flavor.
LEAVE MY TWINKY ALONE
Muffy and Sue
Talk about their boyfriends
all day long
YEAH, I LIKE THAT
Funky music hardcore
Rasta man dreadlock sticky
Some dudes need a shower
IN THE WATER GAP
River coils like S
nose leaned over rock shelf
Aha, the rocky gap!
FORGED LIBERAL
Nobody made her stanky
sometimes iron just happens
vote your conscience
OIL MUD
John D. made a pile,
made money smell good enough
sputter goes the engine
RIVER WADE
We slid down to the river
dipped, kicked clouds off dirt bottom,
turned around and left.
TURKS HEAD MUSIC FESTIVAL
watching turks head sing
sound rolls boiling July air
the sun so soupy hot
JAMES ESCH
Web page design by Gerald England
This page last updated: 10th March 2004.